Local artist adds colorful emotion to the
District
by Christina Martinez (cdmartinez@tlu.edu)
Almost every chair in the musky
upstairs room of the art therapy building at George Washington University is
occupied with women of all ages who have come to see local Washingtonian
painter, Matt Sesow, 39, speak about his work. With their dangly, beaded earrings, square framed glasses
and eclectic hair accessories, the women casually chatter about their upcoming
class schedules and gallery exposures.
They fall silent as a tall male figure with bright blue eyes and short
blonde hair dressed in dark clothing makes his way to the front of the
room.
The
women stare at him with curious and surprising expressions as they take notice
of his left arm. Returning their
inquisitive gazes, Sesow holds up his arms as if surrendering to a crowd of
question demanding interrogators.
Aside from bluntly exposing his amputated lower left arm, he also brings
attention to splotches of dark
blue, green, and a hint of red speckled paint erratically splattered on his
inner forearms.
"These
aren't tattoos," he says with a smile referring to the designs of assorted
color on his skin. "This is from last night." He is referring to a late night
painting session where he was
obviously so involved with his work that he failed to remove the evidence from
his skin.
With
his work recently displayed in Studio One Eight's "The Art of War," an
exhibition that marks the three year anniversary of war in Iraq, Sesow has been
busy exuding his talent all over the city. Venturing far from the rural farmlands of Omaha, Nebraska,
Sesow has made a name for himself in the very urban area of Washington. Married, divorced and currently in a
relationship, Sesow has no regrets in love and in life. He has traveled to overseas countries
and cities, such as Bulgaria, Morocco and the Solomon Islands to capture the
essence of these exotic settings in art form. Although his art has brought him much attention and
recognition, Sesow refuses to be sucked into the glamorous world of notoriety
and fame. Despite a childhood
accident that changed his life, Sesow strives to individually Ôbreak the back
of the art world' by bringing absolute
emotion and expression to the canvas.
A
typical day for Sesow involves delving into the art of painting. In his compact, yet cozy studio
apartment, Sesow spends 12 to 13 hours a day painting, for at least five days a
week. As a true artist, he is unable to get enough of the creating
process.
"I
have painted 200 paintings in a week before," says Sesow, looking serene with a
small black beanie and equally dark faded navy blue shirt. "I'll paint all day until I can't paint
anymore. I may be tired after that
but the next day I am ready to do it again."
In
his studio, Sesow is adaptable in his surroundings. Located in the artsy neighborhood of Adam's Morgan, his
sixth floor studio apartment is filled with clutter, color and character.
"When
I first started painting I decided that I would have to create a lot of work to
become famous," says Sesow as he casually leans back in a black desk chair, a
bookshelf filled with video games, movies, books and other little knick-knacks
towers above him. "I
wanted not so much the fame, but to be well known as a painter," he
continues.
Mixtures
of blue, green, red, orange, purple and perhaps every combination of colored
paint imaginable can be found in his studio, whether it be splattered on the
hard wood floor, the walls, tables, shelves, stools, caked to used paint
brushes or still shining wet on freshly finished pieces.
"Sometimes
I'll just start throwing paint on a canvas and as I'm painting I'll see it and
I'll start to mold that," says Sesow as he drinks coffee with ice out of an old
cylindrical glass fruit jar. "It
must be some sort of personality trait that I have. The happiness of wall painting, it's the idea of creating
something new."
When
he is not painting, Sesow prepares for gallery showings, ships his paintings to
buyers, spends time with his girlfriend and catches up with his family through
e-mails and phone calls. Like many
American males, he also enjoys playing X-BOX games and watching movies.
"I'm
very simple," says Sesow, his long sleeved faded dark blue shirt rolled up on
both arms. "I'm actually very laid
back."
Simplicity,
however, is one word that will not be used to describe his work. Sesow believes that he must stay
on his toes in order to keep his vibrant, erratic paintings current. He explains the importance of keeping
up with society while still keeping his artwork unique.
"I
have to create work that reflects the time that we live in," says Sesow taking
another sip of his ice coffee, ice cubes clang together against the cool glass
of the jar. "And I have to do it
outside of the capitalist. I have
to do it on my own."
Sesow's
paintings have portrayed the war, current political events and other trials
that impact society such as the bird flu, mad cow disease and terrorism
scares. From his sixth story
window he was actually able to see smoke rising above the Pentagon from the
9/11 terrorist attacks.
"Some
of it is political," says Sesow.
"I do a lot of stuff with the war.
A lot of what I do is to document, like the day or the time that we're
in. For instance, like before the
war there were a lot of catch phrases like shock and awe," continues Sesow, his
light blue eyes become bright with anticipation as he brings up the war. "There was a thing called Operation
Liberty Shield. I did one about
that, which was to protect DC from terrorists. I do a lot of documenting."
With
painting as a major part of his life, Sesow has also learned the tricks of the
trade. Working with gallery
directors is part of his main agenda.
His reliability as a working artist has built him a credible reputation
in the art world.
"Working
with him is a joy since he is so on top of things," says Trey Sutten, gallery
director for Studio One Eight. "If
there is a deadline or any info and we need back from him, he is very proactive
about getting it done."
Back
in the art therapy room women perk up their ears as Sesow tells his disturbing,
yet extraordinarily beautiful story of how a childhood experience led him to
discover art expressionism, now the guiding force in his life.
At the age of eight, Sesow was involved
in a traumatic accident that would impact his life and shape his destiny. Growing up in Nebraska, Sesow lived
near an airplane landing field.
One summer day, while playing outside with friends, he had an accidental
run-in with a viciously swirling airplane propeller. The propeller cut off his left arm, but doctors were able to
reattach it. Eventually, they were
forced to amputate his left hand.
This accident left Sesow with a life long disability that never again
allowed him to use his dominant hand.
Once a lefty, Sesow now had to readjust and relive his life in a way
that was very different from his previous childhood years.
"As
a child I never really dealt with the trauma," says Sesow, his blue eyes
gleaming. "There never was a
healing or dealing process."
It
wasn't until after college that Sesow received the psycho therapy needed to
deal with the shocking disturbance he experienced as a boy. While working as a computer programmer
at IBM, a co-worker invited him to paint with her and some friends. Wanting to impress his female friend,
Sesow admitted that he knew how to paint, although in reality he had no prior
knowledge or experience with the art.
"As
I started painting, I became obsessed with it," says Sesow. "I began focusing my paintings on
amputations."
One
painting, titled ÔDate With a Disabled,' is based on a woman who is set up on a
blind date with a man, who unbeknownst to her, is missing a limb. The painting portrays the shock,
embarrassment and pain felt in this seemingly hopeless situation.
The
paintings hanging in Sesow's studio are wild with a flair of unique style. Sesow found painting to be the outlet
that allowed him to express his feelings and emotions that had been trapped
inside him for years.
"I
did a lot of emotional art, there were things that I had never dealt with and
they were all coming through the paintings," says Sesow. "I would think ÔI have to paint this,
these emotions may not come back'."
Some
describe Sesow's work as disturbing, angry, painful or intense. For those who do now know him, they may
picture him as the stereotypical disturbed, starving, work obsessed artist
solely dedicated to his work. Only
the latter of this assumption is true.
"I
can tell that he is very passionate about his work," says Dimitri Garcia, 22, a
graphic designer. "It looks very
frenzied and really instinctual.
You can definitely see the Basquiat influence in his work."
Although
Sesow's paintings are very intense and emotional, his good natured, free spirited personality
and soft-spoken voice do not always show through in his paintings.
"I
don't think I am the same person that the paintings reflect sometimes," says
Sesow. "Some people think they are
angry or suffering but I'm actually a pretty happy person all the time."
By sharing his art and experiences with
others, Sesow believes that he is making a positive statement in society. He strives to be an inspiration to
other artists. This former IBM
programmer works out of his own studio, painting and then selling his work
through his website, www.Sesow.com.
He does all of this agent-free and thoroughly enjoys it.
"I
want to show people that you can be instantaneous and you can do it
yourself. Talks like at George
Washington University and other interviews keep me fresh," says Sesow, his next
open studio scheduled for April 22.
"It keeps me, you know, it's kind of like what I'm doing is ok. I mean not so much the paintings
themselves are great, but to me its almost like I'm doing something
different. I don't know if this is
a movement but I want to show artists they can do it too."
Sesow
is well respected for his unique renditions of painful emotion and vivid
interpretations of life. According
to Sutten, art lovers are not the only ones that enjoy his work. Other artists in the Washington area
truly appreciate his art. His
distinct, self-taught style sets him apart from other artists.
"I
know people call me outsider art, but to me that's more of like a catch all for
this whole self-taught thing that's going on right now in the world," says
Sesow. "Self-taughts are emotional
in their work." Sesow pauses and
contemplates for a moment. He is
the epitome of comfort as he causally leans his left arm on the arm of the desk
chair and crosses his bare feet at his ankles. "I don't know, I like to think that I'm hopefully gonna be
some kind of new thing that comes."
Not only has painting served as a
sort of therapy for Sesow in overcoming his childhood emotions, but it has
helped him to figure out his own inner personality. At age, 39 he is still discovering who he is and what makes
him unique.
"The
range and energy in my work is something internal that I've finally been able
to control," says Sesow motioning to the vivid wet paintings drying on the
other side of his studio. "And
when I paint, it's that wild side."
It
is also the media attention he receives that allows him to learn even more
about himself. Through interview
questions he is able to look back and reflect on what his art means to him and
his life. He attributes some of
his success to the way that he is constantly staying current and reinventing
himself.
"Outside
of his artwork, he really is a very genuine artist," says Sutten. "He wants everybody to enjoy his
work. He keeps his work affordable
for everyone. I read a quote
somewhere where he said that there is no reason why college students shouldn't
have art work in their dorms. That
speaks volumes about how much it means to him."
With
so much importance behind his art, Sesow is critical when it comes to other
artists unlike himself. His art
means something to him, personally and emotionally and he feels other artists
may not have the same connection with their work.
"To
be a good painter you don't have to go out and do the drugs and do the scene,"
says Sesow with a sly smile that may have confirmed his walk on the wild
side. "You don't have to act a
certain way or dress a certain way, you can just be this painter who does
it. I don't think of myself as a
coffee shop artist, I don't really even talk to other artists," he says with a
shrug, still dressed in the typical artist's wardrobe of dark clothing. "I don't like other peoples' art
usually." He looks around his
artistically furnished studio apartment.
Blazes of color and image meet his gaze. "I am very opinionated, I defend what I'm doing because I
think I work very hard at it."
One
example of his tedious, hard work was introduced in 2003 when he created a
project called 31 days in July. For everyday in the month of July, he takes a headline or
article from The Washington Post and paints a 30 inch by 40 inch painting to go along with
that headline. Sesow sets
self-imposed deadlines for himself that keep him working almost all night and
continually the next day.
"His
31 days in July series
convey the chaos of the world in angular lines," writes Molly Knight in an
article titled Drawing Lines from the Jan/Feb 2006 issue of Washington, D.C.
Style. "The compositions- brimming with
distorted shapes and primary colors-grapple with everything from unrest in Iraq
to the Supreme Court."
Sesow
has completed this project each year and
plans to continue creating many more paintings that reflect the
time. Other artists have also been
known to emulate this project.
"I
like to discover my own style," says Sesow. "Not so much copying someone else's paintings. I mean, I've seen people copy my style
too."
Sesow
captures the attention of aspiring artists in the Washington area as well as
around the country. His distinct talents are recognizable to anyone who is familiar
with his work.
"I
think that his artwork is amazing," says Sutten. "I don't know any other artists doing what he's doing. He has a very particular style that's
very appealing. It's just amazing
to me how much work he puts into his art.
It's just amazing."
Sesow
hopes that in the future, his 31 days in July project will help to make his art
well-known. He wants his work to
be remembered and admired long after he is gone. It appears that he is not the only one predicting more
success in the future.
"The
enthusiasm he has for his work was contagious to me," says Knight, contributing
writer to DC Style Magazine who interviewed Sesow for the Jan/Feb 2006
issue. "I felt inspired, I felt I
had just interviewed someone who will be very big in the art scene in the
future."
Whether
or not Sesow does attain that type of success or not, one thing he is sure of
is that he will not stop painting.
"I
want to do this for another 50 years," says Sesow, excitedly motioning to the
art supplies and tools surrounding him in the single room. "This is probably what I would consider
an ultimate life. If I was to
imagine the perfect life, this would probably be it."
Back
in the art therapy room, Sesow reflects on his work and his life as a
painter. Despite losing his left
arm and discovering his passion late in life, Sesow embraces his situation, his
gift and his life.
"As
for my journey as a painter, I'm still on it and it's going well," says
Sesow. To me, its not so much
about the painting as it is for the full story. I realize that I have a unique story and I make sure that
that story is in the painting."